Looking Ears Complete

Serène (For Flute And Soundtracks, 1978)

Soft Song (For Oboe And Soundtracks, 1974)

Save The Whale (1989/91)

Toccare (For Piano And Soundtracks, 1979)

Denk Mal Das Denkmal (For Bass Baritone And Soundtracks, 1984)

Chatarra (Schrootsonate, For Harpsichord And Soundtracks, 1990)

Dust (For Organ And Soundtracks, 1992)

Reflexes (For Electronic Soundtrackss Derived From A Burmese Drum, 1961)

Looking Ears (For Bass Clarinet, Piano And Soundtracks, 1972)

From The Tripod (For Female Choir And Soundtracks, 1980)

Chicharras (For Soundtracks With Male Voice, 1985)

Translucent II (For String Orchestra And Soundtracks, 1977)

Listening Landscape (For Soundtracks, 1977)

Brouillard (For Piano And Soundtracks, 1994)

Le Jardin (For Female Voice, Alto Flute, Harpsichord And Soundtracks, 1993)

Intra (For Bass Clarinet, Soundtracks And Ring Modulator, 1971)

Elegy (For Soundtracks And Female Voice, ad libitum, 1972)

Continuation (For Choir And Soundtracks, 1985)

Reliëf (For Organ And Soundtracks, 1964)

Mobile (For Electronic Soundtracks, 1965)

Phases (For Orchestra And Soundtracks, 1974)

Collage Resonance II (For Radiophonic Soundtracks, 1963)

Rain (For Four Pianists, Two Pianos And Soundtracks, 1982)

Mobile II (For Electronic Soundtracks, 1971)

Non Sono Un Uccello (For Tenor, Bass Baritone And Soundtracks, 1989)

Reliëf (For Organ And Soundtracks, 1964)

Ascolta (For Tenor, Choir And Soundtracks, 1988)

Introduction On Studie By Ton Bruynèl

Studie (For Piano And Soundtracks, 1959)

Coda Voor K. (For Radiophonic Soundtracks, 1963)

Dialogue I (For Bass Clarinet, Soundtracks And Ring Modulator, 1976)

Resonance I (For Electronic Soundtracks, 1962)

Arc (For Organ And Soundtracks, 1966)

Le Temps Tricheur (For Choir And Soundtracks, 1994)

Décor (Electronic Ballet Music, 1968)

Imker I (For Four Flutes And Soundtracks, 1995)

Signs (For Wind Quintet And Soundtracks, 1974)

Kolom (For Organ And Soundtracks, 1987)

Cours Des Nuages (For String Orchestra And Soundtracks, 1999)