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CD · 2019

Complete Edition

Beethoven

Naxos 8.500250 · 2019 · UK, Europe & US

4.73(11 ratings)
ClassicalRomantic
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343Tracks
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CD · Compilation · Stereo

Tracklist

343 tracks
  1. 6-1
    Overture To Collin's Coriolan, Op. 62 'Corolian Overture' (1807)
    8:29
  2. 6-2
    Overture In C Major, Op. 115 'Zur Namensfeier' ('Name Day Celebration') (1814-15)
    7:15
  3. 6-3
    Leonore Overture No. 1, Op. 138 (1806-07)
    9:59
  4. 6-4
    Leonore Overture No. 3 Op. 72b (1805-06)
    14:23
  5. 7-36
    Triumphmarsch Zum Trauerspiel Tarpeja Von Kuffner, WoO 2a, Hess 117 ('Triumphal March For The Tragedy "Tarpeja" By Kuffner') (1813)
    3:02
  6. 7-37
    Leonore, Act II: Introduction, WoO 2b, Hess 117 (1813)
    2:52
  7. 8-19
    Gratulations-Menuet In E Flat Major, WoO 3 (1822)
    3:52
  8. 9-4
    Rondo In B Flat Major, WoO 6 (Before 1793)
    9:37
  9. 10-7
    Romance Cantabile In E Minor, WoO 207, Hess 13 (Fragment) (1786/87)
    2:27
  10. 11-7
    Concert Finale In C Major, Hess 65 (Arr. Of Coda To Piano Concerto No. 3 In C Minor, Op. 37 - Rondo, For Piano) (C. 1809)
    0:55
  11. 13-4
    Violin Concerto In C Major, WoO 5, Hess 10 (Fragment): Allegro Con Brio (1790-92)
    8:14
  12. 13-5
    Romance No. 1 In G Major, Op. 40 (C. 1801-02)
    8:35
  13. 13-6
    Romance No. 2 In F Major, Op. 50 (1798)
    9:53
  14. 14-25
    Bagatelle In A Minor, WoO 59 'Für Elise' (1810)
    3:22
  15. 14-26
    Bagatelle In A Minor, WoO 59 'Für Elise' (1822 Version)
    3:30
  16. 14-27
    Klavierstück In B Flat Major, WoO 60 (1818)
    1:12
  17. 14-28
    Bagatelle In C Major, Hess (Fragment) (1823-24)
    0:41
  18. 14-29
    2 Bagatelles, WoO 216, Hess 73-74 (1800-01)
    0:48
  19. 14-30
    Klavierstück In C Major, WoO 54 'Lustig-Traurig' (?1802)
    1:54
  20. 15-1
    Klavierstück In B Minor, WoO 61, Hess 62: Allegretto (1821)
    2:33
  21. 15-2
    Klavierstück In G Minor, WoO 61a, Hess 56: Allegretto Quasi Andante (1825)
    0:33
  22. 15-3
    7 Ländler, WoO 11, Hess 27 (?1798)
    4:00
  23. 15-4
    6 Ländler, WoO 15 (Version For Piano) (1801-02)
    3:52
  24. 15-5
    12 German Dances, WoO 8, Hess 100 (1795)
    14:41
  25. 15-6
    Menuett In C Major, WoO 218 (c. 1993-95)
    2:07
  26. 15-7
    6 Minuets, WoO 10 (Version For Piano) (?1795)
    11:39
  27. 15-8
    Bagatelle In C Major, WoO 56: Allegretto ()1803
    2:09
  28. 15-9
    Allegretto In C Minor, WoO 53 (1796-97)
    4:25
  29. 15-10
    Allegretto In C Minor, WoO 53 (1796-97)
    10:26
  30. 16-1
    12 German Dances, WoO 13, Hess 5 (1792-97)
    14:14
  31. 16-2
    Contretänze, Hess 102 (Piano Version Of 12 Contretänze, WoO 14: Nos. 1, 2, 4, 5, 7, 9 and 10 (1802)
    5:19
  32. 16-3
    6 Ecossaises In E Flat Major, WoO 83 (1806)
    1:53
  33. 16-4
    Menuett In E Flat Major, WoO 82 (Before 1805)
    3:43
  34. 16-5
    Bagatelle In C Minor, WoO 214, Hess 69 (1794)
    2:44
  35. 16-6
    Polonaise In C Major, Op. 89 (1814)
    5:39
  36. 16-7
    Rondo In C Major, WoO 48, Hess 51 (1794)
    2:25
  37. 16-8
    Prelude In F Minor, WoO 55 (Before 1805)
    2:17
  38. 16-9
    2 Preludes Through All 12 Major Keys, Op. 39 (?1798)
    7:36
  39. 16-10
    Fugue In C Major, WoO 215, Hess 64 (1795)
    1:32
  40. 16-11
    Rondo À Capriccio In G Major, Op. 129 'Rage Over A Lost Penny' (1795)
    6:08
  41. 16-12
    2 German Dances, Hess 67 (1811-12)
    1:26
  42. 17-1
    Rondo In C Major, Op. 51, No. 1 (1796-97)
    5:42
  43. 17-2
    Rondo In G Major, Op. 51, No. 2 (1798)
    9:26
  44. 17-3
    Rondo In A Major, WoO 49 (1783)
    2:34
  45. 17-20
    Anglaise In D Major, WoO 212, Hess 61 (C. 1800)
    0:35
  46. 17-21
    Bagatelle In A Major, WoO 81 (1793)
    1:12
  47. 17-22
    Waltz In E Flat Major, WoO 84 (1824)
    1:50
  48. 17-23
    Waltz In D Major, WoO 85 (1825)
    0:36
  49. 17-24
    Menuett In F Major, WoO 217 (1794)
    1:35
  50. 17-25
    Ecossaise In G Major, WoO 23, Hess 4 (C. 1810)
    0:37
  51. 17-26
    Ecossaise In E Flat Major, WoO 86 (1803)
    0:30
  52. 17-27
    Waltz In C Minor, WoO 219, Hess 68 (1803)
    0:51
  53. 17-28
    Menuett In B Flat Major, Hess 331 (1799)
    0:36
  54. 17-29
    Menuett In B Flat Major, Hess 331 (1799)
    2:21
  55. 17-30
    Minuet In D Minor, Gardi 10 (1790-92)
    2:14
  56. 26-12
    Piano Sonata (Sonatina) In F Major, WoO 50, Hess 53 (Before 1793)
    1:33
  57. 27-1
    15 Variations And A Fugue On An Original Theme In E Flat Major, Op. 35 'Eroica Variations' (1802)
    25:29
  58. 27-2
    32 Variations On An Original Theme In C Minor, WoO 80 (1806)
    11:06
  59. 27-3
    6 Variations On An Original Theme In F Major, Op. 34 (1802)
    12:57
  60. 27-4
    6 Variations In G Major On The Duet 'Nel Cor Più Non Mi Sento' From La Molinara, WoO 70 (1795)
    4:52
  61. 27-5
    12 Variations In C Major On The 'Menuet À La Viganò' From Haibel’s Le Nozze Disturbate, WoO 68 (1795)
    13:28
  62. 28-1
    10 Variations In B Flat Major On The Duet 'La Stessa, La Stessissima' From Salieri's Falstaff, WoO 73 (1799)
    9:41
  63. 28-2
    8 Variations In F Major On The Trio 'Tändeln Und Scherzen” From Süssmayr's Soliman Der Zweite, WoO 76 (1799)
    8:09
  64. 28-3
    6 Variations In D Major On An Original Theme, Op. 76 (1809)
    6:08
  65. 28-4
    6 Variations On A Swiss Song, WoO 64 (Version For Piano) (Before 1793)
    2:55
  66. 28-5
    24 Variations In D Major On Righini's Arietta 'Venni Amore', WoO 65 'Righini Variations' (1790-91)
    24:14
  67. 28-6
    13 Variations In A Major On The Arietta 'Es War Einmal Ein Alter Mann' From Dittersdorf's Das Rothe Käppchen, WoO 66 (1792)
    13:09
  68. 28-7
    9 Variations In A Major On The Aria 'Quant E Più Bello' From Paisiello's La Molinara, WoO 69 (1795)
    5:50
  69. 28-8
    8 Variations In C Major On The Romance 'Une Fièvre Brûlante' From Grétry's Cœur-De-Lion, WoO 72 (1795)
    7:27
  70. 29-1
    7 Variations In F Major On The Quartet 'Kind, Willst Du Ruhig Schlafen', From Winter's Das Unterbrochene Opferfetst, WoO 75 (1799)
    11:42
  71. 292
    6 Easy Variations On An Original Theme In G Major, WoO 77 (1800) Tema: Andante, Quasi Allegretto - Variation I - Variation II - Variation III - Variation IV: Minore, Poco Sostenuto - Variation V: Maggiore - Variation VI - Coda
    7:45
  72. 29-3
    7 Variations In C Major On 'God Save The King', WoO 78 (1802/03) Tema- Variation I - Variation II - Variation III - Variation IV - Variation V: Con Espressione - Variation VI: Allegro. Alla Marcia - Variation VII: [Allegro] - Coda: Adagio - Allegro
    9:35
  73. 29-4
    5 Variations In D Major On 'Rule Brittania', WoO 79 (1803) Tema: Tempo Moderato - Variation I - Variation II - Variation III - Variation IV - Variation V [Allegro] - Coda
    5:41
  74. 29-5
    9 Variations In C Minor On A March By Dressler, WoO 63 'Dressler Variations' (Original Version) (1782)
    13:18
  75. 29-6
    9 Variations In C Minor On A March By Dressler, WoO 63 'Dressler Variations' (Revised Version) (1782)
    15:35
  76. 30-35
    12 Variations In A Major On A Russian Dance From Wranitzky And Kinsky's Das Waldmädchen, WoO 71 (1797-97)
    11:09
  77. 31-3
    8 Variations In C Major On A Theme By Count Waldstein, WoO 67 'Waldstein Variations' (1792)
    8:26
  78. 31-4
    6 Variations In D Major On 'Ich Denke Dein', WoO 74 (1799)
    4:46
  79. 31-8
    Grosse Fuge In B Flat Major, Op. 134, Hess 86 (1826)
    14:53
  80. 32-1
    Piano Étude In B Flat Major, Hess 58 (C. 1800)
    0:43
  81. 32-2
    Piano Étude In C Major, Hess 59 (C. 1800)
    0:26
  82. 32-3
    Sketch In A Major, Hess 60 (1818)
    0:31
  83. 32-4
    Theme With Variations In A Major, Hess 72 (Fragment) (1803)
    2:42
  84. 32-5
    Three Little Sketches In Canonic Style, Bia. 69 (1794)
    0:59
  85. 32-6
    Sketches In C Major And G Major, Bia. 276 (C. 1800)
    2:23
  86. 32-7
    Fragment In A Major Producing Effect Of Horns, Bia. 268 (1793)
    0:13
  87. 32-8
    Fragment In A Major Producing Effect Of Horns, Bia. 268 (1793)
    0:31
  88. 32-9
    Fragment (Andante) In F Major, Bia. 270 (1793)
    0:10
  89. 32-10
    Fragment In E Flat Major, Bia. 271 (1793)
    0:13
  90. 32-11
    Sketch In F Major, Bia. 273 (1793)
    0:14
  91. 32-12
    Sketch In F Major, Bia. 273 (1793)
    0:23
  92. 32-13
    Passage In B Major, Bia. 280 (1793)
    0:10
  93. 32-14
    Sketch In E Flat Major, Bia. 317 (1802)
    0:42
  94. 32-15
    Sketch For Piano Sonata In E Flat Major, Bia. 98 (1795)
    0:39
  95. 32-16
    Sketch For Piano Sonata In A Minor, Bia. 318 (1802)
    1:54
  96. 32-17
    Unused Sketches For The Finale To The Eroica Variations, Bia. 319 (1802)
    0:50
  97. 32-18
    Fragment In G Major, Bia. 720 (1819-20)
    0:20
  98. 32-19
    Instrumental Sketch, Bia. 849 (1827)
    0:06
  99. 32-20
    Piano Trio In G Major, Op. 1, No. 2: III. Scherzo (1794-99) (Version For Piano) (Fragment, Hess 98)
    0:32
  100. 32-21
    String Quintet In C Major, Woo 62, Hess 41: I. Andante Maestoso 'Letzter Musikalischer Gedanke' (1826-27) (Fragment, For Piano)
    2:47
  101. 32-22
    Symphony No. 7 In A Major, Op. 92: I. Poco Sostenuto (C. 1815) (Fragment, Hess 96)
    2:55
  102. 32-23
    Menuett In A Flat Major, Woo 209, Hess 88 (1790-92)
    4:18
  103. 32-26
    March In C Minor, Hess 330 (1804)
    0:59
  104. 32-35
    Intermezzo For Sonata In C Minor, Bia. 191 (Possible Sketches For Piano Sonata No. 5 Or No. 8) (1798-99)
    1:00
  105. 32-36
    Andante In B Flat Major, Bia. 272 (1793)
    0:15
  106. 32-37
    Andante In B Flat Major), Bia. 272 (1793)
    0:30
  107. 32-56
    March In B Flat Major, WoO 29, Hess 107 'Grenadier March' (Performed On Organ) (1794)
    4:21
  108. 32-57
    Fugue In D Major, WoO 31 (1783)
    2:09
  109. 33-1
    Triumphmarsch Zum Trauerspiel Tarpeja Von Kuffner, WoO 2a, Hess 117 ('Triumphal March For The Tragedy "Tarpeja" By Kuffner') (1831) (Arr. For Piano, Unknown)
    2:46
  110. 33-2
    March No. 1 In F Major, WoO 18, Hess 99 'Für Die Böhmische Landwehr' ('For The Bohemian Territorial Army') (1809-10)
    1:27
  111. 34-1
    Andante In F Major, WoO 57 ‘Andante Favori’ (1803)
    7:49
  112. 34-2
    Bagatelle In C Minor, WoO 52 (?1795)
    4:13
  113. 34-10
    Molto Adagio In G Major, Hess 71 (Fragment) (1803-04)
    1:08
  114. 34-11
    Adagio Ma Non Molto In G Major, Hess 70 (Fragment) (1803-04)
    0:40
  115. 34-12
    Allegretto In C Minor, Hess 66 (Second Version Of WoO 53) (1796-980)
    3:09
  116. 34-13
    Pastorella In C Major, Bia. 622 (1815)
    0:24
  117. 34-14
    Presto In G Major, Bia. 277 (1793)
    0:35
  118. 34-15
    Allegro In C Major, Bia. 279 (1793)
    0:10
  119. 34-16
    Johann Mattheson (1681-1764) Der Vollkommene Kapellmeister, Part III, Chapter 15: Canon In G Major (Performed On Piano) (1793) (Hess 274, 1803)
    1:06
  120. 34-17
    Ludwig Van Beethoven Piano Piece In D Major, Hess 325 (1802/03)
    0:25
  121. 34-18
    Andante Molto In E Flat Major, Bia. 269 (C. 1800)
    1:35
  122. 34-19
    Fuga Tema In C Major, Bia. 345 (1803)
    0:14
  123. 34-20
    Fuga Antique In C Major, Bia. 346 (1806) (Fragment)
    0:15
  124. 34-21
    Anglaise In G Minor, Bia. 48 (Original Version) (1792)
    0:34
  125. 34-22
    Anglaise In G Major, Bia. 48 (Revised Version) (1792) (Transcribed By D.P. Johnson, dates unknown)
    0:51
  126. 34-23
    Composition For Piano In D Major, Bia. 213 (Fragment) (1792-93?) (Transcribed By J. Kerman, 1924-2014)
    21:42
  127. 34-24
    Liedthema In G Major, WoO 200, Hess 75 'O Hoffnung' (1818)
    0:23
  128. 34-25
    Erstes Kaplied: Abschiedslied (1789), Hess 63
    0:38
  129. 34-26
    Andante In C Major, WoO 211 (C. 1790-92)
    0:58
  130. 34-27
    Canon In A Flat Major, WoO 222, Hess 275/328 (1803)
    0:26
  131. 34-32
    Melody In C Minor, Hess 324 (1802)
    0:15
  132. 34-33
    Melody In C Minor, Hess 324 (1802)
    1:04
  133. 34-34
    Zweiter Eingang In’s Thema Vom Rondo, Hess 84 (1806) (Cadenza For The Piano Version Of Violin Concerto, Op. 61)
    0:32
  134. 34-35
    Kadenz Zum Rondo, Hess 85 (Cadenza For The Piano Concerto, Op. 61a) (1806)
    0:28
  135. 37-35
    Mandolin Sonatina In C Minor, WoO 43a (Performed On Mandolin And Piano) (1796)
    3:49
  136. 37-36
    Adagio In E Flat Major, WoO 43b, Hess 44 (Performed On Mandolin And Piano) (1796)
    4:21
  137. 37-37
    Mandolin Sonatina In C Major, WoO 44a, Hess 43 (Performed On Mandolin And Piano) (1796)
    2:43
  138. 37-38
    Andante And Variations In D Major, WoO 44b, Hess 45 (Performed On Mandolin And Piano) (1796)
    8:45
  139. 37-39
    12 Variations In F Major On 'Se Voul Ballere' From Mozart's Le Nozze Di Figaro, WoO 40 (1792-93)
    11:10
  140. 37-40
    Rondo In G Major, WoO 41 (1793-94)
    4:48
  141. 41-1
    Piano Trio In B Flat Major, WoO 39, Hess 50 (1812)
    4:33
  142. 41-17
    Variations In G Major On Wenzel Müller's 'Ich Bin Der Schneider Kakadu', Op. 121a (1803, Rev. 1816-17)
    16:34
  143. 41-18
    Allegretto In E Flat Major, Hess 48 (Fragment) (1790-92)
    3:47
  144. 42-13
    Piano Trio In F Minor, Bia. 637 (1816) (Fragments Trabscribed By N. Marston, B. 1958)
    4:39
  145. 45-13
    Trio Secendo, Hess 28 (2nd Trio To String Trio, Op. 9, No. 1: III. Scherzo) (1798-1800)
    1:36
  146. 46-13
    Finale: Allegro, Hess 25 (Early Version Of String Trio, Op. 3 : IV. Finale) (1793-94)
    6:54
  147. 54-5
    Allegretto In B Minor, WoO 210 (1817)
    0:35
  148. 54-6
    String Quartet No. 14 In C Sharp Minor, Op. 131: I. Adagio Espressivo (Early Version) (1826)
    6:05
  149. 54-7
    Solomon, HWV 67, Part I - Overture: Fugue (Arr. For String Quartet, Hess 36) (1794-95)
    2:11
  150. 59-19
    Polonaise In D Major, WoO 21 (1810)
    2:06
  151. 59-20
    Ecossaise In D Major, WoO 22 (C. 1809-10)
    0:58
  152. 59-21
    Menuett In A Flat Major, WoO 209, Hess 33 (C. 1790)
    2:05
  153. 59-22
    March No. 1 In F Major, WoO 18, 'Für Die Böhmische Landwehr' (1809, Rev. 1810)
    1:24
  154. 59-23
    March No. 1 In F Major, WoO 18, Hess 7 'Für Die Böhmische Landwehr, Zapfenstreich No. 1' (1809-23)
    3:01
  155. 59-24
    March No. 2 In F Major, WoO 19 (1810)
    1:40
  156. 59-25
    March No. 2 In F Major, WoO 19, Hess 9 'Zapfenstrich No. 3' (1810-23)
    3:35
  157. 59-26
    March In C Major, WoO 20 'Zapfenstreich No. 2' (C. 1809-23)
    4:28
  158. 59-27
    March In D Major, WoO 24 'Marsch Zur Grossen Wachtparade' (Grosser Marsch No. 4) (1816)
    8:15
  159. 59-28
    March In B Flat Major, WoO 29 (17978-98)
    1:22
  160. 60-11
    Duet For 2 Violins In A Major, WoO 34, Hess 42 (1822)
    0:21
  161. 60-12
    Duo For Violin And Cello In E Flat Major, Gardi 2 (Fragment) (1790-92?)
    3:20
  162. 60-13
    8 Variations In C Major On 'Là Ci Darem La Mano" From Mozart’s Don Giovanni, WoO 28, Hess 18 (1795)
    9:07
  163. 60-17
    Adagio In A Flat Major, Hess 297 (1815)
    0:53
  164. 61-10
    Rondo In E Flat Major, WoO 25 'Rondino' (1793)
    7:06
  165. 63-1
    Prelude And Fugue In E Minor, Hess 29: Prelude (1st Version) (1795)
    3:19
  166. 63-4
    Prelude And Fugue In F Major, Hess 30 (1795)
    6:28
  167. 63-5
    Prelude And Fugue In C Major, Hess 31 (1795)
    4:44
  168. 63-6
    The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 22 In B Flat Minor, BWV 867 (1722) (Arr. For String Quintet, Hess 38)
    2:12
  169. 63-7
    String Quintet In D Minor, Hess 40 (Fragment) (1817)
    2:28
  170. 63-8
    Fugue In D Minor, Hess 245 (Fragment) (C. 1795)
    0:40
  171. 63-9
    Grosse Fuge In B Flat Major, Op. 133 (1825)
    16:38
  172. 63-10
    Fugue In D Major, Op. 137 (1817)
    1:52
  173. 63-11
    Canon In A Major, WoO 35, Hess 273 (1825)
    0:27
  174. 63-12
    Canon In G Major, WoO 160, No. 1, Hess 247 'O Care Selve' (1795)
    1:15
  175. 63-13
    Canon In C Major, WoO 160, No. 2, Hess 248 (1795)
    1:14
  176. 64-17
    Violin Sonata In A Major, Hess 46 (Fragments) (1790/91)
    2:32
  177. 66-6
    Act II: Maestoso - Andante
    1:21
  178. 66-7
    Act II: Adagio - Andante Quasi Allegretto
    9:06
  179. 66-8
    Act II: Un Poco Adagio - Allegro
    1:40
  180. 66-9
    Act II: Grave
    9:40
  181. 66-10
    Act II: Allegro Con Brio
    4:34
  182. 66-11
    Act II: Adagio
    5:05
  183. 66-12
    Act II: Pastorale: Allegro
    2:51
  184. 66-13
    Act II: Coro Di Gioja: Andante
    0:31
  185. 66-14
    Act II: Solo Di Gioja: Maestoso
    3:11
  186. 66-15
    Act II: Terzettino, Grotteschi: Allegro
    4:35
  187. 66-16
    Act II: Solo Della Signora Cassentini: Andante
    6:11
  188. 66-17
    Act II: Coro E Solo Di Viganò: Andantino
    4:52
  189. 66-18
    Act II: Finale: Allegretto
    6:52
  190. 71-15
    Vestas Feuer, Hess 115 (Fragment) (1803)
    10:59
  191. 71-16
    Die Ehrenpforten: Chorus: Es Ist Vollbracht, WoO 97 (1815)
    4:16
  192. 71-21
    Die Gute Nachricht: Chorus: Germania, WoO 94 (1814) (Text: Georg Friedrich Treitschke)
    5:09
  193. 72-17
    Die Weihe Des Hauses, Op. 124 ('The Consecration Of The House') (1822)
    11:57
  194. 72-18
    Musik Zu Carl Meisls Gelegenheisfestspiel, Hess 118 (Die Weihe Des Hauses): [No. 1] Invisible Chorus: Folge Dem Mächtigen Ruf Der Ehre (1811)
    3:29
  195. 72-19
    Die Ruinen Von Athen ('The Ruins Of Athens'): March With Chorus: Schmückt Die Altäre, Op. 114 (1811)
    6:56
  196. 72-20
    Die Weihe Des Hauses ('The Consecration Of The House'): Wo Sich Die Pulse, WoO 98 (1822)
    6:31
  197. 73-7
    Fantasia In C Minor, Op. 80 'Choral Fantaysy' (1808)
    19:43
  198. 74-1
    I. Kyrie
    10:17
  199. 75-7
    Ihr Weisen Gründer Glücklicher Staaten, WoO 95 'Chor Auf Die Verbündeten Fürsten' (1814)
    1:51
  200. 75-8
    Bundeslied, Op. 122 'In Allen Guten Stunden' (1824)
    4:38
  201. 76-18
    Opferlied, Op. 121b (2nd Setting, Version For Voice, Choir And Orchestra) (1824)
    5:42
  202. 76-18
    Opferlied, Op. 121b (2nd Setting, Version For 3 Voices, Choir And Orchestra) (1822)
    7:24
  203. 77-1
    Meeres Stille Und Glückliche Fahrt, Op. 112 ('Calm Sea And Prosperous Voyage') (1818)
    7:59
  204. 77-9
    Abschiedsgesang, WoO 102 'Die Stunde Schlägt' (1814)
    3:47
  205. 77-10
    Cantata Campestere, WoO 103, Hess 127 'Un Lieto Brindisi' (1814)
    6:57
  206. 77-11
    Gesang Der Mönche, WoO 104 'Rasch Tritt Der Tod' (1817)
    1:08
  207. 77-12
    Der Freie Mann (1st Version), Hess 146 (1792)
    0:40
  208. 77-13
    Bundeslied, Op. 122 'In Allen Guten Stunden' (Version For Choir And Piano) (1824/25)
    4:20
  209. 80-4
    No. 63. Since All The Vows
    4:00
  210. 82-4
    No. 4. The Miller Of The Dee
    2:36
  211. 84-1
    Irish Songs I, WoO 152 No. 5. On The Massacre Of Glencoe (1st Version) (1810)
    6:29
  212. 84-12
    29 Songs Of Various Nationality, WoO 158 No. 19. Una Paloma Blanca (1st Version, Gardi 25) (1816)
    0:59
  213. 85-1
    Schilderung Eines Mädchens, WoO 107 (1783)
    1:02
  214. 85-2
    An Einen Säugling, WoO 108 'Schlummerlied' (Version For Choir And Piano)
    2:59
  215. 85-3
    Elegie Auf Den Tod Eines Pudels, WoO 110 (?1806-09)
    5:12
  216. 85-4
    Erhebt Das Glas Mit Froher Hand, WoO 109 'Trinklied, Beim Abschied Zu Singen' (C. 1791/92)
    1:30
  217. 85-5
    Punschlied, WoO 111, Hess 126 (Version For Voice, Choir And Piano) (1791/92)
    0:52
  218. 85-6
    An Laura, WoO 112, Hess 128 (1792)
    3:34
  219. 85-7
    Klage, WoO 113 (2nd Version) (1790)
    2:40
  220. 85-8
    Ein Selbstgespräch, WoO 114 (1792-?1793)
    3:05
  221. 85-9
    An Minna, WoO 115 (1792)
    1:02
  222. 85-18
    Que Le Temps Me Dure, WoO 116, Hess 129 (1st version) - Que Le Temps Me Dure, WoO 116, Hess 130 (2nd version) (1793)
    3:54
  223. 85-19
    Der Freie Mann, WoO 117 (1794/95)
    1:45
  224. 85-20
    O Care Selve, Oh Cara, WoO 119 (Probably 1794/95)
    1:52
  225. 85-21
    Seufzer Eines Ungeliebten Und Gegenliebe, WoO 118 (1795)
    6:53
  226. 85-22
    Man Strebt, Die Flamme Zu Verhehlen, WoO 120 (Probably Before 1800)
    2:11
  227. 85-23
    Opferlied, WoO 126 (1st Setting, Version For Voice And Piano) (C. 1798)
    3:12
  228. 85-24
    Abschiedsgesang An Wiens Bürger, WoO 121 (Version For Voice, Choir And Piano) (1796)
    2:39
  229. 85-25
    Kriegslied Der Österreicher, WoO 122 (Version For Voice, Choir And Piano) (1797)
    3:16
  230. 85-26
    La Partenza, WoO 124 (Probably 1795)
    1:00
  231. 85-27
    Es Lebe Unser Teurer Fürst, WoO 106 'Lobkowitz-Kantate' (Probably 1822)
    2:03
  232. 86-1
    Adelaide, Op. 46 (1794-96)
    6:07
  233. 86-2
    Ich Liebe Dich Wo Wie Du Mich, WoO 123 'Zärtliche Liebe' (1795)
    1:53
  234. 86-3
    La Tiranna, WoO 125, Hess 135 (1798)
    2:47
  235. 86-4
    Plaisir D'Aimer, WoO 128, Hess 131 (1799)
    1:12
  236. 86-11
    Der Wachtelschlag, WoO 129 'Wachtellied' (1803)
    3:37
  237. 86-12
    Das Glück Der Freundschaft, Op. 88 'Lebensglück' (Sung In Italian) (1803)
    2:37
  238. 86-13
    Gedenke Mein!, WoO 130 (1805)
    1:37
  239. 86-14
    An Die Hoffnung, Op. 32 (1805)
    4:04
  240. 86-15
    Als Die Geliebte Sich Trennen Wollte, WoO 132 (1806)
    2:13
  241. 86-16
    In Questa Tomba Oscura, WoO 133 (2nd Version) (1807)
    3:04
  242. 86-17
    Die Laute Klage, WoO 135 (1814-15)
    2:19
  243. 86-18
    Andenken, WoO 136 (1808)
    3:10
  244. 86-19
    Gesang Aus Der Ferne, WoO 137 (1809)
    4:12
  245. 86-20
    Der Jüngling In Der Fremde, WoO 138 (Final Version) (1809)
    2:22
  246. 86-21
    Der Liebende, WoO 139 (1809)
    2:25
  247. 87-9
    An Die Geliebte, WoO 140 (1st Version) (Version For Voice and Piano) (1811)
    1:04
  248. 87-10
    An Die Geliebte, WoO 140 (2nd Version) (1811)
    1:04
  249. 87-11
    An Die Geliebte, WoO 140 (3rd Version) (1814)
    0:59
  250. 87-12
    An Die Geliebte, WoO 140 (Draft Version) (1811)
    0:57
  251. 87-13
    Der Gesang Der Nachtigall, WoO 141 (1813)
    1:23
  252. 87-14
    Der Bardengeist, WoO 144 (1813)
    3:01
  253. 87-15
    Merkenstein, WoO 142 (1814)
    3:29
  254. 87-16
    An Die Hoffnung. Op. 94 (1815)
    7:19
  255. 87-17
    Des Kriegers Abschied, WoO 143 (1814)
    2:48
  256. 87-18
    Merkenstein, Op. 100 (1814-15)
    1:41
  257. 87-19
    Sehnsucht, WoO 146 (1815-16)
    2:40
  258. 87-20
    Das Geheimnis, WoO 145 (1815)
    1:18
  259. 87-21
    Der Mann Von Wort, Op. 99 (1816)
    3:23
  260. 87-28
    Ruf Vom Berge, WoO 147 (1816)
    1:56
  261. 87-29
    So Oder So, WoO 147 (1817)
    1:55
  262. 87-30
    Resignation, WoO 149 (1814-15)
    2:30
  263. 87-31
    Abendlied Unter Gestirnetn Himmel, WoO 151, Hess 132 (1823)
    4:35
  264. 87-32
    Der Edle Mensch Sei Hülfreich Und Gut, WoO 151, Hess 132 (1823)
    0:36
  265. 87-33
    Auf, Freunde, Singt Dem Gott Der Ehen (2nd Version), WoO 105, Hess 124 'Hochzeitslied' (Sung In German)
    1:29
  266. 87-34
    Auf, Freunde, Singt Dem Gott Der Ehen (1st Version), WoO 105, Hess 125 'Hochzeitslied' (Sung In German) (1819)
    1:57
  267. 87-35
    Der Kuss, Op. 128 (1822)
    1:54
  268. 88-1
    Neue Liebe, Neues Leben, WoO 127, Hess 136 (1798)
    2:36
  269. 88-2
    An Henrietten, 'Traute Henriette', Hess 151 (C. 1790-92) (Completed For Voice And Piano)
    0:49
  270. 88-3
    Erlkönig, WoO 131, Hess 148 (Probably 1796/97)
    3:16
  271. 88-4
    Klage, WoO 113 (1st Version) (1790)
    1:55
  272. 88-5
    In Questa Tomba Oscura, WoO 133 (1st Version) (1805)
    3:07
  273. 88-10
    Lied Aus Der Ferne, WoO 138 (1st Version) (1809)
    2:26
  274. 88-14
    Schwinge Dich In Meinem Dom, Hess 137 (C. 1795-97) Reconstructed As Ich Wiege Dich In Meinem Arm)
    5:17
  275. 88-17
    6 Songs, Op. 48: No. 6. Busslied (With Another Version Of Bars 102-113, Hess 141) (1801/02)
    4:51
  276. 88-18
    Wonne Der Wehmut, Hess 142 (1st Version Of Op. 83, No. 1) (1810)
    2:33
  277. 88-19
    Feuerfarb, Hess 144 (1st Version Of Op. 52, No.2) (1792)
    3:07
  278. 88-20
    Opferlied, Hess 145 (Sketch Of 1st Setting, WoO 126, Version For Voice And Piano) (1796)
    2:57
  279. 88-21
    6 Songs, Op. 75: No. 4 Gretels Warnung (1st Version) (Presumably 1795)
    0:55
  280. 88-22
    Opferlied, Hess 91 (2nd Setting, Op. 121b, Version For Voice, Choir And Piano) (1824-25)
    5:17
  281. 88-23
    Die Laute Klage, WoO 135 (1st Version) (C. 1814-15)
    2:06
  282. 88-24
    6 Songs, Op. 48: No.3. Vom Tode (1st Version) (1798-99)
    1:08
  283. 89-1
    Prüfung Des Küssens, WoO 89 'Meine Weise Mutter Spricht' (1792)
    5:36
  284. 89-2
    Mit Mädeln Sich Vertragen, WoO 90 (1792)
    4:11
  285. 89-3
    Erste Liebe, Himmelslust 92 (Sung In Italian As Primo Amore, Piacer Del Ciel) (1792)
    15:53
  286. 89-6
    Ah! Perfido, Op. 65 (Recitative: Ah! Perfido - Aria: Par Pietà, Non Dirmi Addio) (1796)
    13:37
  287. 89-7
    No, Non Turbati, WoO 92a (1802)
    6:50
  288. 89-8
    Ne' Giorni Tuoi Felice, WoO 93, Hess 120 (C. 1802-03)
    7:51
  289. 89-9
    Tremate, Empi, Tremate, Op. 116 (1802-03)
    9:02
  290. 89-10
    Elegischer Gesang, Op. 118 (C. 1814)
    6:54
  291. 90-1
    Herr Graf, Ich Komme Zu Fragen, WoO 221, Hess 279 (C. 1796-97) (Arr. For Choir And Piano)
    1:50
  292. 90-2
    Kurz Ist Der Schmerz, WoO 163 (1813)
    1:06
  293. 90-3
    Languisco E Moro, Hess 229 (Arr. From J. Mattheson's Der Vollkommene Capellmeister, Part III Chapter 14: Ungzwungener Gebrauch Der Übermässigen None For 2 Voices) (1803)
    0:40
  294. 90-4
    Languisco E Moro, Hess 229 (Arr. From J. Mattheson's Der Vollkommene Capellmeister, Part III Chapter 14: Ungzwungener Gebrauch Der Übermässigen None For Voice And Piano) (1803)
    1:03
  295. 90-5
    Lob Auf Den Dicken Schuppanzigh, WoO 100, Hess 278 (1801)
    0:37
  296. 90-6
    Graf, Graf, Liebster Graf, WoO 101, Hess 279 (?1802)
    0:41
  297. 90-7
    Im Arm Der Liebe Ruht Sich's Wohl, WoO 159 (1795)
    1:37
  298. 90-8
    Freundschaft Ist Die Quelle Wahrer Glückseligkeit, WoO 164 (1814)
    1:17
  299. 90-9
    Glück Zum Neuen Jahr!, WoO 165 (1815)
    0:35
  300. 90-10
    Kurz Ist Der Schmerz, WoO 166 (1815)
    1:31
  301. 90-11
    Das Schweigen, WoO 198, No. 1 (1815-16)
    1:23
  302. 90-12
    Das Reden, WoO 168, No. 2 (1815-16)
    1:36
  303. 90-13
    Ich Küsse Sie, WoO 169, Hess 250 (1816) (Arr. For Voice And Choir)
    0:59
  304. 90-14
    Ars Longa, Vita Brevis, WoO 170, Hess 251 (1815/16) (Arr. For Choir)
    0:59
  305. 90-15
    Glück Fehl' Dir Vor Allem, MH 582 (Attrib. To L. Van Beethoven As WoO 171, Hess 252) (1795)
    0:51
  306. 90-16
    Hol Euch Der Teufel! B'hüt' Euch Gott!, WoO 173, Hess 253 (1819)
    0:42
  307. 90-17
    Glaube Und Hoffe, WoO 174 (1819)
    0:31
  308. 90-18
    Glück, Glück Zum Neuen Jahr!, WoO 176 (1819)
    1:01
  309. 90-19
    Seiner Kaiserlichen Hoheit! - Alles Gute, Alles Schöne, WoO 179 (1820)
    1:34
  310. 90-22
    Hoffmann, Sei Ja Kein Hofmann, WoO 180 (1820)
    0:53
  311. 90-23
    Gedenket Heute An Baden!, WoO 181, No. 1 (1822)
    1:03
  312. 90-24
    Gehabt Euch Wohl!, WoO 181, No. 3, Hess 258 (1822)
    0:50
  313. 90-25
    Tugend Ist Kein Leerer Name, WoO 181, No. 3, Hess 259 (1822)
    0:49
  314. 90-26
    O Tobias!, WoO 182 (1821)
    0:34
  315. 90-27
    Bester Herr Graf, Sie Sind Ein Schaf!, WoO 183, Hess 261 (1823/24)
    0:37
  316. 90-28
    Falstafferei, Lass Disch Sehen!, WoO 184, Hess 262 (1823)
    1:29
  317. 90-29
    Edel Sei Der Mensch, Hülfreich Und Gut, WoO 185 (1823)
    2:24
  318. 90-30
    Te Solo Adoro, Hess 263 (Sketch Of WoO 186) (Probably 1824 Or Earlier)
    0:46
  319. 90-31
    Te Solo Adoro, Hess 264 (Sketch Of WoO 186) (Probably 1824 Or Earlier)
    0:45
  320. 90-32
    Te Solo Adoro, Hess 263, WoO 186 (1824)
    0:51
  321. 90-33
    Schwenke Dich Ohne Schwänke!, WoO 187 (1824)
    1:03
  322. 90-34
    Gott Ist Eine Feste Burg, WoO 188, Hess 265 (1825)
    0:33
  323. 90-35
    Das Schöne Zu Dem Guten, WoO 203, Hess 272 (1825)
    0:22
  324. 90-36
    Doktoer Sperrt Das Tor Vor Dem Tod, WoO 189, Hess 266 (1825)
    1:06
  325. 90-37
    Ich War Hier, Doktor, Ich War Hier, WoO 190, Hess 267 (1825)
    0:37
  326. 90-38
    Kühl, Nicht Lau, WoO 191 (1825)
    1:02
  327. 90-39
    Ars Longa, Vita Brevis, WoO 192, Hess 268 (1825)
    0:40
  328. 90-40
    Si Non Per Portas, WoO 194 (1825)
    0:41
  329. 90-41
    Holz Geigt Die Quartette So (Attrib. To L. Van Beethoven As WoO 204, Hess 284) (1825)
    0:30
  330. 90-42
    Freu Dich Des Lebens, WoO 195 (1825)
    0:43
  331. 90-43
    Esel Aller Esel, WoO 227, Hess 277 (1826)
    0:35
  332. 90-44
    Es Muss Sein!, WoO 196, Hess 270 (Probably 1826)
    0:55
  333. 90-45
    Das Ist Das Werk, WoO 197, Hess 271 (Before 1826)
    0:53
  334. 90-46
    Wir Irren Allesamt, WoO 198, Hess 280 (C. 1826)
    0:46
  335. 90-47
    Ewig Dein, WoO 161 (Probably 1810)
    1:24
  336. 90-48
    Brauchle, Linke, WoO 167, Hess 249 (Probably 1815)
    0:38
  337. 90-49
    Ich Bitt' Dich, Schreib' Mir Die Es-Scala Auf, WoO 172 (Probly Between 1813-15 and About 1824)
    0:49
  338. 90-50
    Bester Magistrat, Ihr Friert!, WoO 177, Hess 257 (Probably Between 1818 and 1820)
    0:52
  339. 90-51
    Signor Abate!, WoO 178 (C. 1820) (Arr. For Choir And Piano)
    1:39
  340. 90-52
    Ars Longa, Vita Brevis, WoO 193, Hess 269 (Possibly 1825)
    0:34
  341. 90-53
    Ich Bin Der Herr Von Zu, WoO 199, Hess 281 (1814)
    0:45
  342. 90-54
    Ich Bin Bereit! - Amen, WoO 201, Hess 282 (After 1818) (Arr. For Choir)
    0:38
  343. 90-55
    Das Schöne Zum Guten, WoO 202, Hess 283 (1823)
    0:22
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