The art group “Dostoevsky Idiot” works across various musical genres, drawing on heavy rock and rave culture while moving toward aggressively heavy marches with a symphonic edge. Yet, in terms of their sound engineering and instrumental toolkit, they fit squarely within the framework of contemporary popular music institutions — reaching a broad audience that, for over thirty years now, has grown accustomed to high-volume sound and tends to perceive music primarily through the lower layers of the cerebral cortex.